Play Along Piano

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Opera

"Night Train" - Philip Glass (arr. for solo piano)

bradleygpittman

7:35	Est. Play Time
123	Measures
	1,516Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

Flight_of_the_Bumble-Bee

Nevin Williams

1:15	Est. Play Time
103	Measures
	1,477Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	19	7	3	89%
Violin	33	1	13	3	86%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	19	7	3	89%
Violin	33	1	13	3	86%
	26	4	11	3	81%
Violoncello	19	9	6	3	75%
Flute	31	20	14	3	72%
A Clarinet	18	6	7	2	24%
	27	9	11	2	60%
Bassoon	20	26	6	3	50%
Contrabass	14	0	3	2	48%
Horn in F	1	0	0	1	1%
	9	7	1	3	29%
Oboe	8	5	0	3	18%
English Horn	4	0	1	2	6%
B♭ Bass Trumpet	2	1	1	1	1%
Timpani	1	0	0	1	1%
Trombone	2	1	0	1	1%
Tuba	2	1	0	1	1%

HWV5A2N11 - "Mà Rodrigo"

edward.maurath

0:52	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo	11	0	2	3	94%
Lute (Continuo)	9	10	2	1	88%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rodrigo	11	0	2	3	94%
Lute (Continuo)	9	10	2	1	88%
	18	17	4	3	88%
Violoncello (Continuo)	9	0	2	3	88%
Cembalo (Continuo)	3	0	0	1	31%
	15	9	2	3	44%

O Mio Babbino Caro- Puccini (Gianni Schicchi)

Owlman142

1:25	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
Violini I.	15	7	1	5	94%
Violini II.	16	10	0	5	94%
Contrabassi.	7	0	0	2	84%
Arpa.	16	4	0	2	48%
	20	7	1	2	79%
LAURETTA.	10	0	0	4	78%
Clarinetti 1. e 2. in Si ♭	13	5	0	5	62%
Oboi 1. e 2.	10	10	1	5	59%
Flauti 1. e 2.	16	4	0	4	58%
Corni 1. e 2. in FA amp;quot; 3. e 4. amp;quot;	2	1	0	3	6%
	9	1	1	4	51%
Fagotti 1. e 2.	7	3	1	5	38%
Corno Inglese.	7	0	0	5	28%
Trombe 1. 2. e 3. in FA	8	3	1	2	25%
Clarone in Si ♭	4	0	0	2	13%

William Tell Overture

mike320

15:40	Est. Play Time
453	Measures
	9,161Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	29	0	14	8	83%
Violins II	34	13	19	7	80%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	29	0	14	8	83%
Violins II	34	13	19	7	80%
2 Bassoons	30	40	12	7	79%
Contrabasses	27	0	13	8	78%
Violas	27	58	14	5	78%
2 A Clarinets	30	61	15	6	72%
Violins I	40	10	22	9	71%
2 Horns in E	17	22	5	7	66%
Timpani	2	0	0	6	60%
Flute	29	0	14	10	59%
2 Horns in G	12	12	4	7	56%
2 Oboes	30	52	15	6	53%
E Trumpet	10	8	0	7	50%
Piccolo	27	0	13	8	49%
Bass Trombone	23	0	10	6	48%
2 Trombones	23	1	9	6	40%
English Horn	16	0	4	6	9%
Violoncello Soli	11	0	6	6	8%
	12	0	5	6	8%
	15	0	5	6	8%
	31	0	14	9	9%
	9	0	3	8	8%

The Marriage of Figaro Overture

mike320

5:52	Est. Play Time
294	Measures
	3,633Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	29	18	11	5	96%
Violins I	29	23	10	9	95%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	29	18	11	5	96%
Violins I	29	23	10	9	95%
Violas	25	6	10	4	93%
Violoncellos	22	0	10	5	84%
Contrabasses	23	0	10	5	82%
Bassoons	24	17	9	5	81%
Oboes	22	33	7	6	77%
Flutes	18	30	3	6	71%
Horn in D	9	12	0	6	66%
A Clarinet	17	26	3	6	58%
D Trumpet	8	9	0	5	51%
Timpani	2	0	0	5	42%

Carmen

d-klenin

1:57	Est. Play Time
120	Measures
	5,055Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	32	2	12	6	98%
Violins I	32	4	11	6	98%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	32	2	12	6	98%
Violins I	32	4	11	6	98%
Violoncellos	27	0	10	6	98%
Violas	28	6	10	6	98%
Trumpets in A	21	43	8	4	89%
Clarinets in A	26	40	12	6	83%
Flute	21	0	8	6	83%
Bassoons	31	25	12	6	82%
Oboes	23	16	8	6	80%
Contrebasses	21	1	8	3	73%
Piccolo	23	0	8	5	68%
Trombones	26	60	10	5	60%
Horn in A	9	10	2	4	59%
Horn in E	11	10	3	5	55%
Timpani	2	0	0	4	35%

I Lombardi, Preludio ed Introduzione (coro: Oh nobile esempio!)

Voorburgs Operakoor

4:47	Est. Play Time
281	Measures
	2,441Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	39	99	14	8	98%
	36	77	14	8	97%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	39	99	14	8	98%
	36	77	14	8	97%
T	18	17	6	7	67%
B	18	8	6	7	63%
S	10	8	3	5	24%
A	15	8	5	5	20%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

HWV5A1N2 "petto col fulmine del cielo"

edward.maurath

0:06	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	10	10	2	2	88%
	9	5	1	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	10	10	2	2	88%
	9	5	1	4	100%
Violoncello (Continuo)	7	0	1	2	100%
Florinda	7	0	1	5	67%

Richard Wagner - ENDE.zu.PARSIFAL in Full score.

Jamie Holdham

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
Br. (get)	22	6	8	11	91%
Violas	21	6	7	11	91%
Vcl.	18	4	4	12	77%
III. IV.	12	12	5	7	59%
K.B.	10	0	1	7	55%
I.	11	0	2	6	41%
	12	0	2	7	50%
I. Klar. in B.	10	0	0	7	45%
III.	6	0	1	6	27%
	10	0	1	7	41%
	2	0	1	2	14%
	10	0	1	7	36%
Fl. II.	9	0	1	7	41%
I.II. Pos.	13	14	0	7	36%
I.II. Fag.	7	2	3	5	32%
II. III.	8	0	5	5	32%
I. II. Horn in F.	9	12	3	6	27%
II.III.	9	9	2	6	27%
Althob.	7	0	1	6	27%
Hob. II.	6	0	0	6	27%
Bab-Tb.	2	0	0	4	23%
I. Trp. in F.	4	3	0	1	9%
Pk.	1	0	0	1	9%

ROSSINI - Barber Of Seville - Ouverture Symphony for Percussions

Kevfun3

7:19	Est. Play Time
241	Measures
	7,025Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano I	17	8	8	6	11%
	34	0	12	10	87%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano I	17	8	8	6	11%
	34	0	12	10	87%
Piano, PIANO II	30	0	10	8	93%
	16	4	6	6	46%
Piano, Piano III	26	23	9	9	97%
Piano, Piano IV	21	0	6	6	93%
Piano, Piano V	21	0	6	6	90%
Glockenspiel Alto Orff, Glockenspiel	23	0	9	7	67%
Célesta, Celesta III	25	49	9	9	66%
Marimba (double portée), Marimba	28	0	9	2	64%
	11	1	3	1	11%
Clavecin, Harpischord I	19	11	5	7	62%
Harpe, Harp	26	7	9	6	60%
Célesta, Celesta II	24	43	9	8	55%
Célesta, Celesta I	21	0	8	9	52%
Carillons, Tubular Bells	19	1	6	2	44%
Xylophone, Xylophone	13	7	3	1	11%
	30	0	9	3	43%
Clavecin, Harpischord II	8	7	3	6	34%
Orgue, Organ I	17	0	5	4	27%
Orgue, Organ II	15	1	4	5	27%

"Al lampo del armi" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

4:17	Est. Play Time
62	Measures
	1,714Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	0	5	3	100%
	23	0	5	3	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	0	5	3	100%
	23	0	5	3	100%
Harp Continuo	23	0	5	3	100%
	23	0	5	3	100%
Contrabassi Continuo	23	0	5	3	100%
Violoncelli Continuo	23	0	5	3	100%
Violoncello Continuo	23	0	5	3	100%
Violini	18	0	4	5	95%
Cesare	11	0	2	5	78%
Bassi	8	0	0	2	4%
Contralti	9	10	0	2	4%
Soprani	5	0	0	2	4%

HWV17A3N19 - Recitative, "Quì Curio vincitor"

edward.maurath

2:44	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
	19	26	7	5	51%
Cesare	12	0	4	5	45%
Harp	17	20	6	6	42%
	15	16	5	5	44%
Sesto	9	0	4	3	22%
Cornelia	11	0	3	3	18%
Nireno	7	0	0	3	14%
Cleopatra	7	0	2	4	10%
Lute	5	1	1	2	4%
	12	3	5	2	6%

K 492, #25, "Ineque anni"

edward.maurath

5:30	Est. Play Time
138	Measures
	2,207Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
Celli	20	0	6	9	95%
Contrabasses	20	0	6	9	95%
Violas	19	7	6	9	95%
Don Basilio	17	0	7	6	91%
Bassoon	22	31	7	8	64%
B♭ Clarinet	19	23	6	7	63%
Flute	18	0	6	9	62%
B♭ Horn	9	10	0	7	54%
Harpsichord	19	6	3	5	16%
	17	7	2	3	15%